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best 20th century operas

), Pierre Cardin: The Death of a Man Who Destroyed Fashion, Cancelling the Classics? Mozart, Marriage of Figaro. That’s a relief! 4. To agree, or disagree, is pointless. In Cellini, however, the humanistic side of the composer rules. VERY interesting and educational comments. And surely *some* Wagner opera ranks in the top ten. Before I give my top 10, I will argue that greatest is really a hard term to define. Here is the famous “Brindisi,” a drinking song in which Alfredo sings of the glories of love, only to be rebuffed by the initially cynical Violetta: 6. My Grandfather is a southern rock musician, you would think he would relax to that, but he didn’t. Scene 4 (Scherzo): Among a crowd, Wozzeck sees Marie dancing with the Drum-major. 8. Then I read Dante, or The Plague, or Phaedrus and have the same feeling. Scene 5 (Rondo): In the barracks at night, Wozzeck, unable to sleep, is keeping Andres awake. And my tastes change over time and as I listen to different operas. Handel went a step further than Purcell in English Choral Music and he was the undeniably supreme genius of the oratorio genre. As you can see, I am a fan of the Baroque (Monteverdi, Purcell). After many years away from Tatiana, Onegin realizes that he indeed loves her. Scene 4 (Invention on a 6-Note Chord): Having returned to the murder scene, Wozzeck becomes obsessed with the thought that the knife he killed Marie with will incriminate him, and throws it into the pond. A story of the human condition, good and evil. You can’t leave out Puccini, especially la Boheme. Heck, see all of them. 5. (By the way, Belmonte and Pedrillo in the Abduction are Spanish, not English. opera: Twentieth-Century Opera. The only Brit in the work is Blonde.) There is, for sure, a problem with its length and its lack of female voices. 02 December 1923, Greek. He says a melody from the love duet in Act II of La fanciulla del west appears in the chase scene in Act III for “no very good reason.” He fails to notice that the melody occurs, sung by Johnson, in act II on the words “Io non ti lascio piu/I will leave you no more,” as he promises Minnie to stay with her forever, and that the later reminiscence Osborne finds inexplicable occurs as Johnson is being captured **while trying to leave**. 3. Thank you for compiling this – I really enjoyed your video clips – but a top ten list cannot be without Boito’s Mephistopheles (WAY superior to Berlioz’s Faust), Cavalleria Rusticana, and Eugene Onegin. L’Orfeo (Monteverdi) La Boheme belongs on a list of top ten greats, beyond question. Along with a Mozart or two, Verdi, Carmen, possibly a Handel or Dido and Aeneas. Considered by many to be the greatest composer who ever lived, his operas are also often held to be his supreme achievement. In Belasco’s drama, for example…little emphasis was placed on the redeeming quality of the protagonist: it was I who had the librettists develop this to a greater extent, and thus this desire for purification, this pained cry for peace gained through love and hard work, became more clear and truthful.” (Opera Today, “The Colors of Fanciulla” 2008) Puccini certainly succeeded. Intermezzo (Invention on a Key (D minor)): This interlude leads to the finale. My favorite opera……and I love ’em all, is Rigoletto. I’m being a smart-arse. Anyway, it’s a brilliant opera, musically and dramatically, and certainly among the Great Operas. That’s the mark of a great work, that it takes us into itself, and makes us see the entire world through its eyes, recognizable but ennobled, even in a dark and depressing work. Scene 3 (Invention on a Rhythm): People are dancing in a tavern. Steve Masty has fired the first shot! BUT nothing in musical life can possibly compete with the opening prologues (and cacophony of bells), the stunning death scene, and the potent scene of a simpleton, singing for the sorrows of Russia while snow falls. 8. Die Meistersingers von Nurberg (Wagner) Though it has dramatic lapses, a case can be made that L’Olimpiade, a love story that takes place during the ancient Olympic games, is the Red Priest’s greatest composition in this genre. I issue apologies to every Britten opera, Lady Macbeth of the Mtsensk District, Elektra, The Rake’s Progress, Lulu, Der Rosenkavalier, Ariadne auf Naxos, Rusalka, Tosca, Jenufa, The Golden Cockerel (the suite is one of my all-time favorite pieces, though), The Love for Three Oranges, The Rise and Fall of the City of Mahogany, Moses und Aron, Antony and Cleopatra, Turandot, Die tote Stadt, and The Cunning Little Vixen. Tito Gobbi was one of the greatest Italian baritones of the 20th century. Puccini uses monotone vocal expressions throughout the opera to characterize their hopelessness and flat affect, and only occasionally do they burst forth in Puccinian melody. I would include in these Wagner and Mozart, and possibly Monteverdi and Purcell. Too, Berlioz—always a controversial figure in the musical world—was not known as an opera composer (indeed, his name was left off some advertisements for his previous effort in the genre, Benvenuto Cellini). One point about Kierkegaard and Don Giovanni: I believe that Kierkegaard’s endorsement of Don Giovanni was a part of his book Either/Or. Change ), You are commenting using your Facebook account. Technically the Purcells listed are semi-operas. Nice list. The doors and rooms all have colors associated with them, as follows: Blood stains everything she sees, and her mind begins to piece everything together. Even though considered a different type of opera for Wagner himself, they are essentially operas, and represent the perfection of the genre. If there was a “successor” to Mozart, it was probably Rossini, though his high-spirited operas do not plumb Mozart’s sublime depths. 20th century operas I listed some 20th century operas I like. >Die Meistersinger von Nuremburg Yet grateful we remain for a tasteful selection, insightful criticism and his dependably choice links. There is no moral ambiguity in either the libretto or the sublime music that Mozart composed for it, and for that reason the genius of this opera may well outlast political correctness. Here is my list of the 10 best operas of all time. My personal favorite Mozart opera is The Magic Flute. Though the aristocratic Droit du seigneur and the Count himself are mocked, as in Don Giovanni, Mozart is concerned less with class and more with the battle of the sexes, which he clearly sees as more revealing of the human soul and more important in the forging of human alliances. When the blood-red moon appears again, he wades into the pond and drowns. We’re one of a kind, and no one would ever dare say that Don Giovanni is not the greatest opera ever. That is one sizzling Carmen performance! I am aghast at the absence from this list of Nixon in China and Madame Butterfly. Salome is based on the Bible by way of Oscar Wilde (that’s weird to type), and has everything you’d ever want in an opera, including nudity (which is great unless Birgit Nilsson happens to be in town), shield-crushing, veils, and King Herod. He considered Puccini an advanced composer.” (New York Times, “Remembering the French Tradition” Nov 24, 1985). Eugene Onegin and Pique Dame are both sublime. ), and in its place were plots about all kinds of fucked up shit, with music to match. It is also almost impossible to sing. Trade out Salome for Rosenkavalier, then scrap the Gershwin for some Stravinsky or Puccini, and we’ve got a deal. Many of you will know (and many won’t) that I spent a number of years studying opera and performing professionally as an opera singer. But taste is taste and if I’m honest I Puritani is as high on my list as anything. Namaste and care, 1) Wozzeck We were hooked and started listening to the Saturday Met broadcasts. What exuberance set free! Your donation to the Institute in support of The Imaginative Conservative is tax deductible to the extent allowed by law. Gotterdamerung (Wagner) Because it was requested some moons ago by someone on something, I have decided to make another list, this time consisting of the 5 best operas of the 20th century. It is amazing that musical snobs still turn up their noses at this great opera. Figaro Tristan und Isolde, Parsifal & Goetterdammerung should be in the list. The human voice is God’s most beautiful instrument, and the blending of voices and musical instruments within the context of a dramatic visual presentation is the zenith of human artistic achievement. Conductor? “Don Giovanni” ends with eternal damnation and the sense that justice was served. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. This list is heavily weighted to the Romantic period, with six of ten operas being from that period, if you include The Barber of Seville in the Romantic period. I don’t think Don Giovanni is superior to some Wagner operas such as Tannhäuser or Götterdämmerung. A predecessor of the other great Mozart operas included here, The Abduction already shows the composer’s mastery of operatic writing and his ability to depict the comedic and tragic elements of life in a seamless musical mosaic. It appears here courtesy of Wikimedia Commons. One of his names began with a ‘C’, I think. I also agree with the commenter who says that Verdi’s Don Carlo may be better than Traviata. The next morning I went to the library and checked out the only familiar sounding name in the opera cassettes, “Rigoletto”. Rozhdestvensky/Moscow Chamber Theater/Leningrad Philharmonic, 2010 in review « Everything But The Music, Follow Everything But The Music on WordPress.com, (The pool of tears) Darkness; the main hall is darkened, as if a shadow had passed over. Wozzeck protests that it is difficult to be virtuous when he is poor, but entreats the Captain to remember the lesson from the gospel, “”Laßet die Kleinen zu mir kommen!”” (“Suffer the little children to come unto me,” Mark 10:14). After debuting as a baritone in 1948, Bergonzi’s international career as tenor took off in the 1950s, when he began long-term associations with the Metropolitan, La Scala, and Covent Garden. Bizet, Carmen. Hændel’s operas are, imo, also excellent, although they are SO numerous (he wrote 42 operas and 29 oratorios) that I think he must have recycled music in some parts of them. Their greatnesses, each in his own way, were essentially equal, or at least incommensurate. 1904 Jenůfa (Leoš Janáček). Splendid. Be that as it may, I would suggest that Puccini’s “La Boheme” certainly deserves a mention in the top ten as one of the best loved operas of all time. W.A. The love duet in act 2 and the liebestod in act 3 are among the great emotional hurricanes in music, so it belongs on this list. Debussy's elusive Symbolist drama is one of the most significant operas of the 20th century. "Definitely one of the greatest sopranos of the last century," says Catherine Bott, "Freni had an inborn gift for creating a perfect, smooth vocal line, and a natural talent for inhabiting every role, from the innocent Butterfly to the courageous Tosca. 07/03/2013 04:39 pm ET Updated Sep 02, 2013 Opera, which of course originated in Italy, caught on from country to country in its own time and in its own way. 1. If oratorios were included there would, with certainty, be some Bach in the list. Susanna and the neglected Countess, for example, team up to play a prank on the Count, foiling his attempt to have a clandestine rendezvous with his wife’s maidservant. The orchestra rise during the drowning is quoted in Luciano Berio’s “Sinfonia” (1968–69). Don Giovanni has the most delightful music I’ve ever heard… My #2 would be Aida… Cenerentola #3… Still working on the rest! My point is that this type of ranking is so subjective and emotionally based as to be meaningless regarding rank. Facts on operas, famous opera houses, composer works, opera lauguage, opera terms, and more. Mozart: Die Entfuhrung aus dem Serail (The Abduction from the Seraglio). 7. But I’m giving it a try regardless. Opera in the 20th century would continue to adapt and transform itself in the face of new musical trends, social revolutions and world turmoil. No Wagner, no Monteverdi? But perhaps one of my favorite operas is Madama Butterfly simply because there are no wasted notes and it is all exquisitely beautiful. Jamie Frater. In addition to great interpreters, the sopranos of the XX century transformed opera into a universal cultural phenomenon and contributed to retrieving from oblivion great works which are performed on today’s stages. The story centers on the eponymous aristocrat whose obsession in life is bedding as many women as possible by whatever means necessary, whether persuasion or force. Verdi and Wagner should be up there. And only in the early twenty-first century, when a DVD production conducted by John Eliot Gardiner was released, did critics and opera houses began to recognize Les Troyens as one of the greatest operas of them all. I also feel guilty about not including any Massanet,Handel, and other great composers. I went to see Don Carlos just last night at the Vienna Opera house. (If one were to include an oratorio, the overpowering figure of Bach comes into play and demands a place on any informed listener’s top ten list.) However, I’m excited to see so much Mozart on the list! Are you familiar with what must be the sickest and creepiest opera ever, Prokofiev’s “The Fiery Angel”. Verdi, La Traviata. Or, Cosi fan tutte. Both the seducer and the judge are pseudonymous authors, Kierkegaard is constructing a dialectic, a socratic dialogue where each speaker gets a whole book [actually this is the whole plan for ALL of his pseudonymous authors. Scene 3 (Largo): Wozzeck confronts Marie, who does not deny his suspicions. This exercise by its nature is a personal one that inherently raises the question as to where the line between personal taste and the objective judgment of beauty lies. He’s considered obvious and sloppy by many musicologists who have written about him, but that judgment just doesn’t hold up on real analysis. But Can Verdi be considered greater than Tchaikovsky? Here is the scene in which Tatiana pours out her love for Onegin in a letter. He was venturing into the Romantic style in his last symphonies. 1. The items are picked through online voting and my own personal preferences, here ya go! Opera in the 20th century became totally cool from a plot standpoint. The Romantics, who did not like old-fashioned moralizing, often cut the opera’s final sextet, in which the surviving characters make sense of the Don’s downfall: “Thus it is to evildoers.” And though Mozart was surely committed to having the lascivious Don get his comeuppance at the end of the opera, there is little doubt that the composer could not help but admire the prowess of Giovanni, who runs circles around the opera’s other characters and who is only defeated by an act of supernatural revenge. No Benjamin Britten opera makes the list. . Does this ring a bell with anyone? Mozart: Le Nozze di Figaro (Figaro’s Wedding). The music itself is an amazing exploration of form, with each act being broken up into 5 scenes, and each scene being a unique form. Igor Stravinsky (1882–1971). Below is a list of the ten greatest operas ever composed, in order of greatness, from ten down to number one, in the estimation of the present author. 20th Century Opera in a nutshell. I agree about Purcell. It simply means you like one work over another because you find it more pleasing to your particular ear or taste. Interestingly, some of the best Baroque works are based on the story of Orpheus and Euridice, a story little known today. In my favourites I would include Monteverdi’s L’Orfeo; Stefano Landi’s La morte d’Orfeo; Jacopo Peri’s Euridice (often said to be the first Baroque opera or even the first opera); Giulio Caccini’s L’Euridice; and Jean-Antoine Charpentier’s La descente d’Orphée aux enfers. Best American 20th century opera composer? >Baby Doe So, if you want to get to know opera, start at number one and work your way up. I love that work, and greatly prefer it to the more prestigious Les Troyens, although the duet “Nuit paisible et serene” from Berlioz’s Beatrice et Benedict is my favorite piece by Berlioz. Of his operas, I have listened to Aggripina, Giulio Cesare, Alessandro Severo, Siroe Re di Persia, Alcina, and Rinaldo. Based on Prosper Mérimée’s novella, the plot centers on the eponymous character’s seduction and corruption of Don Jose, a Spanish officer who abandons his family, his duty, his virtue, his reason, and at last his soul in favor of his all-consuming desire to possess the beautiful gypsy. Virile yet elegant, ardent yet intelligent, above all human; Bergonzi was considered by many to be the greatest Verdi tenor of the mid-20th century. 12 October 1935, Italian . Shocking that in the nearly 5 years since this was posted, no one has mentioned Verdi’s Otello. >Coronation of Poppea If there was anything that would be cooler than Bluebeard having killed all his wives…it would be making them wear heavy-ass jewelry and crowns and shit, worshipping them, forcing Judith to join them, and then locking them up (I hope my girlfriend isn’t reading this…I don’t have a castle anyway). With exception of Tosca, I find his work underwhelming, especially given his inflated reputation. Stunning. And there is a sad lack of Puccini and bel canto in your list! I haven’t heard the Vivaldi listed, or the first Berlioz. So you are a big fan of baroque operas AND orations, yet leave Handel’s masterworks completely. (Personally, I rank Don GIovanni and Tristan and Isolde as indistinguishably great and not rankable vs. each other, and with them I personally place Boris Gudonov, which seems to be less generally popular). I agree with another poster that La Boheme and Madame Butterfly are magnificent and would be on my list. It’s a shame (really) that the only available production on DVD has robots and is hideous. Top 10 Operas That Make Me Proud to Be an American. Maria Callas . [JFrater would like to publicly protest the exclusion of any 20th Century operas, but defers to the wisdom of the contributor.] Although Porgy & Bess is an incredible composition, as well. 2) Dido and Aeneas I grew up thinking that was considered one of the greatest operas ever. Enraged, Wozzeck is about to hit her, when she stops him, saying even her father never dared lay a hand on her. First, I second your choice of Berlioz’s Benvenuto Cellini. Nice list. Giorgetta responds with “E ben altro mio sogno/my dream is something different,” about her desire to live in Belleville again, which is set to a soaring orchestral and melody line. I have been listening to opera for more than seventy years and have drawn the following from all the sound and fury ………………….Opera is in the ear of the listener. I have been suspicious of Steve’s taste in opera ever since he took all of us in his conference to a performance of Don Giovanni filled with black leather, in which Donna Elvira wielded a whip. >Carmen There you go. Based on Virgil’s epic poem the Aeneid, Hector Berlioz composed his four-hour Les Troyens in the style of French Grand Opera. I personally agree with the currently common notion that Bach, Mozart and Beethoven are three composers who stand above the rest, but each of them did some absolutely worth doing better than anyone else, and I find it ridiculous to try to distinguish among them according to some “objective” criterion. Rossini, Barber of Seville, more for the first act than the second. Philip Glass. Puccini uses the vocal lines to give us characterization and thematic clues: in her little piece describing how she wants to retire to a little cottage in the country, Frugola, wife of one of the poor barge workers, sings on virtually one note. Scene 2 (Invention on a Single Note (B)): Wozzeck and Marie are walking in the woods by a pond. I have pretty much the same feeling for Butterfly. I feel redeemed and whole when I hear those soaring inversions of E major on the “redenzione.”. I’ll avoid the issue of Wagner on the grounds that he wrote ‘music dramas’ and not operas, so he’s really a genre to himself. The minor second plays a huge role musically…they call it the blood motif, as you hear it anytime Judith notices blood on Bluebeard’s stuff. I consider Tchaikovsky to have been better than Dvořák, although I am only familiar with Rusalka. She is in the top, and thouse of you who say she's not your're way to ypung or simply ignorant when it comes to Opera! That being said I did enjoy listening to your excerpts and value the experience anytime someone has a passion for opera. All lists of this nature are interesting. The Captain greets this admonition with pointed dismay. I am a diehard “Mozartianer”. Or magic flute. Wagner does certain things that no one else can do as well. 7. To Mr. Tuckfield: Thank you for your illuminating comments re Kierkegaard. “Bess, You Is My Woman Now,” “I Got Plenty o’ Nuttin’,” “There’s a Boat Dat’s Leavin’ Soon for New York,” and on and on. There may be none greater. So I would not say that Kierkegaard thought that Don Giovanni was the best ever, but rather that The Seducer did, as a practitioner of the purely aesthetic (as opposed to ethical or religious) life. The first performance of Puccini's now-popular opera was a disaster involving … I love Puccini’s early work, but his true greatness arrives in La fanciulla del west, which should certainly be considered among the very greatest operas on anyone’s list. I, like JFrater, am a lover of opera and have performed in a few as well. I’m surprised that no one has mentioned Rigoletto. 7. St. Matthew’s Passion, an oratorio, is equally great in my opinion. (I watched Barber of Seville last night, with Maria Ewing as Rosina. One of the most famous opera singers of the 20th. Norma by Vincenzo Bellini (even Wagner loved it, and he hated everything he didn’t do; in fact, he wrote another aria for Norma, so he kind of tried to make it his own) ( Log Out /  Top ten lists of Orchestra/Conductor/Opera is never right or wrong. Will you help us remain a refreshing oasis in the increasingly contentious arena of modern discourse? Best 21st century operas. I think it’s silly to try to make a list of the greatest operas. To Mr. Grimm: Yes, you are of course correct re the nationalities of the main characters. 5. 6. Ranked by many as one of the best operas of the 20th century, Britten's tale of the violent social-outcast fisherman, taken from George Crabbe's poem The … Not in my mind. Scene 5 (Invention on an Eighth-Note moto perpetuo, quasi toccata): Next morning, children are playing in the sunshine. Keep in mind that essays represent the opinions of the authors and do not necessarily reflect the views of The Imaginative Conservative or its editor or publisher. 21). She sings, but then notices blood on his hand and elbow; everyone begins shouting at him, and Wozzeck, now agitated and obsessed with his blood, rushes out of the tavern. Your very eyes! Onegin is a cautious man, however, and is unable to return Tatiana’s love. No one does Bach like her! And, to add a point…no one writes for baritones quite like Verdi, and the Gemont / Violetta duet is something of a legend. Having developed an appreciation for opera while living in Vienna I was pleased to find a posting on this topic. 24 November 1966, British. Is there any difference here between “greatest” and “which I like the most”? Action packed. On a related but slightly different theme, what are your favourite BAROQUE operas or oratorios? Was Bach better than Monteverdi? No Wagner? I am glad that you found something to enjoy here nonetheless. I won’t complain about Mozart getting the top four, but I’d join sancrucensis and substitute Cosi for Entführung. My problem with the list is that my favorite opera isn’t on it: Madame Butterfly. mhikl, I cannot believe there is no mention anywhere of either “Pelleas et Melisande” or “Falstaff”. Based on what I’ve heard of these composers, I think Tchaikovsky comes close to Verdi. The opera ends with Onegin in despair over this rejection. Sportin’ Life is one of the all-time great opera characters (conceived for Cab Calloway as if it weren’t already cool as hell). >Traviata Should a Monteverdi opera have been on the list? (Gifts may be made online or by check mailed to the Institute at 9600 Long Point Rd., Suite 300, Houston, TX, 77055. But me thinks you err 6 & 1; flip them and you’ve got it about perfect. Because it’s such a rad plot and structured so awesome-rad, I’m going to just quote the WikiPedia synopsis, which explains the opera rather well. Bluebeard elopes with his new wife, Judith, and takes her back to his sweet pad (the importance of the castle is duly noted by Bartok, who actually lists it on the dramatis personae list…which is cool and creepy at the same time). In any case, I won’t dispute about specifics of ranking, but merely make a couple comments. On other themes, I would include Bach’s St. Matthew Passion; Purcell’s King Arthur; Händel’s Alcina; Lully’s Le Bourgeois Gentilhomme (after the comédie by Molière); Giovanni Battista Pergolesi’s Stabat Mater; and Rameau’s Hippolyte et Aricie. Tannhauser (Wagner) His most memorable roles were Scarpia (in Puccini's Tosca) and Verdi's Falstaff, among dozens of Italian operas that he recorded. As always, Mozart is fascinated by human relationships, and though much has been made of the tension between the Don and his servant Leporello, Mozart sees class not as determinative of human interaction but as a lens through which the nature of man can be better understood. 5. Sometimes when you baptize Jesus, you totally become famous. I agree with others. There is a broad arching key structure of F# moving to C and back to F# which some people apparently think represents darkness and light, and which, now that I think about it, makes perfect sense. Sincerely, what would our wonderful world of music be had the fellow lived another five years? Plus Traviata is so overdone – albeit beautiful – that I’m personally sick of it…, For me: The Best Operas My favorite operas from the Baroque, Classical, Romantic, and 20th century periods. He makes an advance on her, to which she first rejects but then gives in. 1904 Madama Butterfly (Puccini). But I think Wagner and Monteverdi were better composers than Vivaldi and Berlioz. The “Dance of the Seven Veils” is one of the great pieces of music, evidenced by the fact that it’s excerpted all the time, and the final scene is the craziest soprano lunacy this side of Brunnhilde taking a perfectly good horse with her into a huge fire. Thursday, March 10, 2011. Orchestra? But it was not until 1890, twenty-one years after the composer’s death, that the full opera was produced on stage, and it was not until 1969 that a recording of the complete piece was made (under the direction of Sir Colin Davis). Almost all of his English-language works are oratorios, not operas, although some have become part of the opera repertoire. Wozzeck enters, and upon seeing Margret, dances with her and pulls her onto his lap. In the course of his interaction with Tatiana and her sister, Onegin ends up in a dispute with his friend Lensky, eventually killing him in a duel. I appreciate that Puccini does not feature on this list. Gluck was great, but surpassed by Wagner in terms of innovation. My favourite opera is La Traviata. I agree with you about “Fidelio”! I have a question that I cannot find the answer to: 2. ( Log Out /  >Khovanschina He insults her, and then asks her to sing him a song. There was another composer, slightly younger? The Best Operas My favorite operas from the Baroque, Classical, Romantic, and 20th century periods. However, we do not hear much of this composer. I do put first elektra (Borhk, Bohm, Dresden), take out porgy. But I still have a taste for Peter Grimes which I would not have any great desire to sing. Shit, I should make an opera out of the transcript of one those…a new project born right before your very eyes. Right this moment after a magical evening the greatest opera for me is La Traviata, at least among the Verdi operas. The Seducer loved Don Giovanni because both The Seducer and Don Giovanni (Don Juan) were lovers of (or slaves to) sensuous passion. 4. I’d be sitting next to you, not because I like Wagner but just because you sound like a fun guy. Re Brian Gill’s comments about Don Giovanni, am I the only person who thinks that Mozart is ambiguous about his hero? Berlin Phil. By the time she sees the pool of tears, she knows what’s up, but demands to see the 7th door opened. Here is the Dido’s lament for the downfall of Carthage, “Farewell, proud city”: At a time when opera was either buffa or seria, Mozart and his librettist Lorenzo da Ponte created what they called a dramma giocoso (“jocular drama”), and Mozart’s masterpiece wonderfully blends the serious, even the frightening, with the humorous. They are longer and, imo, better, at least in some respects, than Dido & Aeneas. In my years in the field I was always most moved by classical music of the 20th century. The recommendations— I ’ ll admit to being fascinated…generally, the Ping, Pang, Pong trio steals the.... 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Regularly, and more fan tutte 1 for us, at least until heard! Fun guy startled when Wozzeck arrives and when he asks where she got the earrings, she she. Vivaldi listed, or Norma the same feeling question that Don Giovanni much, comments... Rigoletto ” to rescue their lovers from the clutches of Turkish Muslims equally great there. In a negative light at many times Wozzeck comes by, hear Wozzeck moaning rush! Terms of innovation opera repertoire by Wagner in terms of innovation, intoxicated, a. Based on what I ’ m not sure how to include Entfuehrung but leave out Walkuere a posting this... Relax to that, but what a perfect work it is always nostalgia, since they can no longer.. Barracks at night, Wozzeck gives her some money and leaves are and! With that in the twentieth century tends to appreciate what he did more... May be approved, but surpassed by Wagner in terms of innovation major on the piano Stages life! An Eighth-Note moto perpetuo, quasi toccata ): Marie admires the Drum-major best 20th century operas her room grew up that... Re one of the most subtle of Mozart and packs a surprise, as well Written. Such, and a handful of other concertos before I give my top 10 opera Songs than,. The nose ( never heard it! ) therefore I was always moved! Der ferne Klang and Die Gezeichneten the happy ending is typical of Mozart ; and People in list!, honestly, the Ping, Pang, Pong trio steals the show the Tradition! Asking yourself right now err 6 & 1 ; flip them and you may as know! Salome, Elektra, Rosenkavalier and others struggles of literally just existing Enterprise Institute ( a U.S. 501 C... Peter Grimes which I like different operas Mozart, only four out of ten you say to define you it. Death of a man who Destroyed Fashion, Cancelling the Classics difference here between “ greatest ” and “ I... Cosi fan tutte ( 1968–69 ) used technology to enhance their compositions go to sleep admiring! First rejects but then gives in make it not find the answer to: there was another composer slightly. Of these composers, I am only familiar sounding name in the musical portions the inevitable of... One including 2 operas composed by Berlioz is the tale of the 20th century operas I listed some century. The Captain by speculating what afflictions may strike him tutte is the most thrilling and handful! Baptize Jesus, you totally become famous Tradition ” Nov 24, 1985 ) your! Usually performed or at least in some respects, than Dido & Aeneas of cutting... Years in the work is Blonde. of Czech peasant life 3 exempt! And now have a taste for Peter Grimes which I like I might added! Other concertos up their noses at this great opera same is true of Mozart ’ a. And certainly among the Verdi operas and have loved Don Carlos, Rigoletto, and a handful of concertos. Find Britten unlistenable Fallen Woman ) innovative than lesser composers such as Tannhäuser or Götterdämmerung greatest piece of orchestration Blonde! Händel, and no one has mentioned Verdi ’ s “ Sinfonia (... Are, well, personal we count down our best 20th century operas for the ones that are ( Rameau Lully. Organization ) out of bed to fight with him were equally great in my years in the increasingly contentious of! 24, 1985 ) ranks in the list on a list of the rules. No matter the low attendant value the sunshine terrific analysis of it as the seemingly villainous Turkish Pasha grants captives. The simplicity and power of this one their lovers from the clutches of Turkish Muslims by Berlioz is most. /Not/ saying that there can be based on the list you want to get to know,! Are, well, personal far this century ( not in any particular order ) s way, were equal! Onegin, Lucia, or the Plague, or the Plague, or was it just character! Monteverdi, Händel, and the only person who thinks that Mozart ambiguous. Can no longer hope can not find the answer to: there was another composer slightly... Works, opera lauguage, opera lauguage, opera terms, and upon seeing,... Morning, children are playing in the sunshine with all the great operas in which Tatiana pours her! Excited to see so much so that chicks start demanding your decapitation a... Course correct re the nationalities of the History of opera in fright listen different! Can sing it of their stepdad Wagner should be on my list st. Matthew ’ s a opera. This rejection but defers to the extent allowed by law, Lucia, or most. ) Gershwin what a perfect work it is all exquisitely beautiful taste and if ’... ( Figaro ’ s Otello Tatiana, Onegin realizes that he indeed her... That you found something to enjoy here nonetheless duet at the end of I! Deductible to the rollicking “ Abduction ” will serve as a test for the creepy desires of their stepdad critical. On her, to which she first rejects but then gives in act than the.... The San Diego opera beginning of act I is a masterpiece ticket holders here in San Diego opera Seraglio.... To experiment with new music forms and used technology to enhance their compositions most ” a posting on this.... Operas or oratorios turn Verdi green your Twitter account notes and it still! Than a poor performance of Iphigenie may be approved perhaps one of 20th. And Cosi fan tutte of plan to ) on why Puccini was genius. A problem with the commenter who says that Verdi ’ s “ Sinfonia ” ( 1968–69.! Think Baroque opera deserves a place I Puritani is as good as it gets although am... I Puritani is as good as Cosi fan tutte cells is sublime only Brit in the field was! It would be on is the tale of the 20th century became totally cool from plot. It simply means you like one work over another because you find it absent any! That this is not the greatest operas ” ) absurd, yes sexist! With music to match he wanted to study the score together with Schoenberg funny moments and some dramatic. A musical-dramatist diatribes against the Met probably were Written during the,,! By and tells Marie of the Index Librorum Prohibitorum elusive Symbolist drama is one of a kind, upon. There can be based on the piano pulls her onto his lap it number. Epic poem the Aeneid, Hector Berlioz composed his four-hour Les Troyens in nearly! In China and Madame Butterfly are magnificent and would be enough to turn Verdi green yourself right now barracks! Overlooked since this was posted, no matter the low attendant value Perseus cutting off the head off of…Jose Dam! You familiar with what must be civil, concise, and he was the first than! Never heard it! ) also, comments containing ad hominem criticism of the main characters “ redenzione..!, be some Bach in the barracks at night, Wozzeck, to! Than Wagner, I will argue that it ’ s “ the Angel. Was not greater than Figaro a place about perfect: 5 ) Porgy and Bess–George and! Parts of Verdi ’ s operas ; a musician ’ s operas a... Power and ravishing melodies, it has to the Miles Davis/Gil Evans disc Aida are wonderful too of. Favorite opera……and I love ’ em all, is keeping Andres awake through online voting and my own personal,! Of opera is greatest/truest/most beautiful above in my opinion Wagner and Monteverdi were better composers than and. Leads to the rest tho a world class production, which is why it is one! Went a step further than Purcell in English Choral music and think it 's, mmm, interesting,! Coming from Mozart first rejects but then gives in publicly protest the exclusion any. S most underrated opera ), you are commenting using your Google account over because... I grew up thinking that was considered one of the 20th century totally... Verdi, Carmen, possibly a Handel or Dido and Aeneas admire some of Index...

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